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ESTABLISHING SIGNAL
© LOUD BY DESIGN

WE TURN AUDIO INTO IMPACT.

Broadcast, streaming, anywhere the signal travels. We don't fill airtime, we hijack it. Writers with the sharpest pens, voices that land every line, and the best mix masters in the game. Then we buy the airtime too, direct, so the idea and the media budget finally pull in the same direction.

What we do

Every way sound can move a brand, made and placed under one roof. Cast, scored, mixed and mastered by specialists, then bought direct so the money works as hard as the work does.

How we work

You bring the brief. We build the team around it: the right writer, the right voices, the right producer, all held to one standard. Then we plan where it runs and buy the airtime direct, so the spot is written for the slot it lands in and your budget is not paying a middleman to make an introduction. One team, one invoice, one standard.

Common questions

Can you buy the airtime as well as make the ad?
Yes. We plan and buy radio, streaming and digital audio, and we do the same for outdoor, podcasts and paid social. We have spent twenty years on the inside of the stations and the sales houses, so we buy direct, and you get the benefit of the rate rather than a markup on it.
What does a radio campaign actually cost?
Production and airtime are two separate bills, and we are straight with you about both. If your money is better spent on airtime than on a fancier make, we will say so. We would rather you get on air properly than get a beautiful ad nobody hears.
How quickly can you turn an ad around?
A scripted, cast and mixed spot inside a week is normal. We have done it in a day when a deadline demanded it. You will always get the honest timeline from us, not the flattering one.
Do you handle broadcast clearance?
Yes. We write with the code in mind so scripts clear first time, and when clearance comes back with notes, we handle the back and forth so you do not have to.

Let's make some noise.

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